You may want to apply noise reduction later to reduce distracting background, and if you use too much muscle in these steps you are very liable to introduce digital artifacts. I’ve had to do this on many live concert recordings. ![]() Then adding in several harmonic bands will generally effectively take out car noise. The lasso tool can zero in on the main fundamental frequency, which is usually glissing up or downward. I have found that most but not all vehicle noise can be satisfactorily attenuated starting with a high pass filter, may 1000Hz, but at only 6dB at a time or your product will sound thin.>The Spectral Repair module in RX is the primary weapon for killing vehicle noise, since it will leave non-selected frequencies untouched. I’m guessing from a coding point of view this is fairly complex to incorporate, which will explain why it’s not commonly seen. One thing I will pick up on from your post is spectral editing, I think that if there’s just one tool beyond the ‘basic’ set that I’d choose, it would be this one. I clearly won’t be of any help at all, but the insight and knowledge of other members may be. My ethos these days is simplicity coupled with economy! Like yourself I’ve not found a decent enough iOS editor yet, and with Apple still controlling the I/O I think it will be a while.Ĭhris! Let’s hope this topic brings a bit of clarity to your thinking. However I do all my editing and first listening on my laptop. The shift away from tower to laptop came several years ago now, and again for a year or two most of my daily work is done on this iPad. Having said that, I am writing this on an iPad Pro. I skipped through the Greg Simmons article this morning before I got up, and was left with the impression that it was most valuable to film makers, and didn’t come out with any major insights for an old codger like myself. Swduncan (sorry don’t know your name) Reaper appears to be quite popular, and your recommendation is noted. Raven Lite 2 is the version I have, and very valuable I think it’s going to be. Russ, I have to confess that I’d not come across IZotope but the price is beyond what it’s worth to me. It’s going to take a while to fully evaluate this prog, but so far so good, bearing in mind my limited requirements these days. Firstly, thanks Wil, yes I was aware of of the spectrogram feature in ocenaudio. ![]() But, she cautions, “You sacrifice dynamics, so saving a reference copy of your vinyl rip without limiting would be an archivist’s ideal.Hi all Glad to see this has sparked a little interest. Drew recommends using a limiter like Waves’ Ultramaximizer L1 ($50) and L2 ($60) plug-ins, which maximizes overall loudness. Since older records tend to be quieter than contemporary vinyl, DJs might want to take additional steps to beef up the sound of that vintage wax for club play. “Not the actual bassline,” she stresses, “But incidental, low-frequency information captured by the needle-feedback, hum, and surface noise.” Eris Drew turns her attention to the other extreme, adjusting the EQ to cut a little rumble out of the recording. Mixing engineer and Running Back Records label manager Matthew Styles likes to give a boost to specific frequencies in the high end, known as a “high shelf,” to compensate for limitations in the vinyl pressing. To get your digital recording sounding as you like it, you may wish to do a little final tweaking.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |